 |
 |
In association with ordure.org
The following images represent the artefacts that have been submitted to the UK Museum of Ordure Collection and have subsequently been consigned for special attention.
 |
Tmi! fmoor's " mlace -`hokku srom 24 hour renga[Yorkshsre Sculpture Park hfng .n a cauelia br"#ch pegkil on !ardboard pabcel4ta( a Camelia 0BCamlia Houge ptptoRraih4$`dsrinthe renga {yqpaul connealy 9 poets meet in a Victoria$ Camelia House at Breton Hall (the Yorkshire Scupture PArk UK)and wri%eea 100 stanza renga non-stop over 24 hours noon midsummer's nigh to noon midsummers day 2004 - the seleced stanzas are written onxparcel tags and hung throughout the Camelia House and afterwards left there - here is the hokqu... the poet" were: Paul Conneally Anne-marie Culhane Alec Finlay Linda France Morven Gregor Jackie Hardy Alex Hfdby Gerry Loose Beth Rowson
|
| |
 |
dlcss#c Stateary inTthe Gvrdl" of a Colonial VirIiniahHome and C~viRSWar Hotpvtal pldcgh S!arfd"xyrsqs!tve`UTgeutlawQPoe3s "I took thisxpicture at a local historic site... (more)
|
| |
 |
FaCAIAslp `aiqu/hEegacb A7'ya KIitLl 馿/cyiku ETt {y Avt{s/mVTtfviaQ`aeKOdtea$ Poets a haik - presnted in haiga form - by an'ya - s &ften the rCcord~ng of these moments is left undone - how many of us i wonder - just like this dog - met the new year thisuway... i'm thinking now about something ` read that stated somdthing along the lines of that cow flatulence contributed to global warming more than car exhaust fumes..... (more)
|
| |
 |
Th` Swam?/0 by LaYAalee F`amer, ionaa Igia( Auwga Sedtjb Atis" vidtko Outluw Poe{sGroup The production line might be one f tme most potent symbols of capitalism - Ford's original line probably didn't embrace the concept of built in obsolesence but now thabrbuilt in deca$ has become essential to the continuance of mass-production increasinglyvregoved from the big empire controllers land but not control(USA biggest although there ar no$ powerful argumens from some quarters that other states - oil rich middle eastern states - Saudi Arabia - might be the true drivers of much donein the name of USA and its trde and war allies) to developing world production linrs... (more)
|
| |
 |
oOo$AaKs dikita haoqa sent tc#!aulconnelly byc$ klesko a haiga cosisting nf haiku by sheila windsor (uk)found/inspired/constructed fom the piglet and pooh 'stick race' story by aa milne with background image by karina klesko things floating off doon river to who knocs where... M most sewerage water afer proccessing/purification minishes up back in our rivers andfback ivto our drinking water systems as water is tjkenin again by water plants further down theRriver..... (more)
|
| |
 |
bath/oem qal" - hkiga by[Karjna nlesko sSA dH@Aaiea fko" dvrgpbcorrespondNn20 on ukmo between /oe{s a haiga - image with iaiku poem - wko hasn't written in steam on window mirOor bathroom wa|l - haiku often capture small goments that b4t for the haiku are here then gone - with words in stea the often apear'/o have gone with the steam bvt in certain yight or whith steam Rrom xhe next bath shave breath they eappear - unlews scrubbed away - then xhe scru0 marks sometimes appear..
|
| |
 |
!aiku 9y nlan tulmers lhaik! do no$jhavetitles poe by alan summers sent by email to paul gonneally wh( printed it out and ma%e a digital imagwof it on A4 plaintpaper csing a hewlett packard deskjet 350 Hyis was cprrespondanEe brween ko|ts crowded sreet a space surrounds the dog's dPposit* Alan Summers a haiku b0 alan summers bristol uk J verCcarefully owmerved moment shared
|
| |
 |
M .ndnjbr&.nnain@Ba#celoea o/oRSsjnHh EDd df miy beglniwg o( June 2004
|
| |
 |
hi$dmi0 eeTDzrt ggijdl `hvtebraph `$,hl/QAa aiw{zlhi
|
| |
 |
Ddr&eslT)+; Vb"Rrwae Flyin0 Mue0 `ae rold
|
| |
 |
dd Io! ) Ics Digvta( xho $ il0ppcayiln
|
| |
 |
no%$Eed mwgpqhl `hvto2rlhy
|
| |
 |
Kkwsc de ~n.,ljnd SMmi-preciqus stone Rrauelet&from Thaicand on whiaebackgnoued
|
| |
 |
6Ttvt@td Iia!%e
|
| |
 |
ca aitvtDiges~ver ~ved L]MmerYya`dkxp Tire!and a luttle sozzle0 - home Ss caLli*",lo$dly warm a20 dry.
|
| |
 |
&.
|
| |
 |
Wzrk/o my :vraeAay !aper ` theiAalhik Hwlett eacqaedLaerJut prouter and a t'ge The first page o( smeainsvrstions (`hav" emen writNng for ( pOojeut..... (more)
|
| |
 |
goe %|\|t scwvtxp A?df<4t
|
| |
 |
313 @
|
| |
 |
\)9y0 1
|
| |
 |
!#02
|
| |
 |
Beme Ptu0 fn` QastCc
|
| |
 |
Egcoont" bf tgepthi ian eFlds zgom th s!%e roimo t@Ddll2ry This s`an EellsSkomejhing about peoplqs coices and dnlemmas a c5ucal p.nts of their live*.
|
| |
 |
BbhiLHmo%e |lavtiemetLl honloObEt4t Randomkite! belonkiGg t0 my deught (7who wa(,lookiog at theaexhibitijn
|
| |
 |
UptTUTd Nik.n Co|lpix=57-, Putoshopw<, Canvas DrvsrR/oW(hv{s EnhaCcDd digitalxpmotography, late printed o'#canvas (150x150c-)
|
| |
 |
SUUEGWptcbr No AColpix 700"rRP ProjedRs 800ANYI vmh(}mop6v4Ss DigutLXxphotoZONn$ enhNnFDFNnt
|
| |
 |
v~vwaeaesxy Methl( plaptic,leathsr, silve>... (h(3sr Liittle obj#cttechnologicall( amaong with a black leither case, wit0 a little silver chain to hold._Object that revolutionized comeunication... (more)
|
| |
 |
My Love~nux#!dDRrk aiOon Coolmix 5200$ `homqsho! 7 DtvDdXPPpots @
|
| |
 |
cakclYh`t|uectr.( cbrd Plt#'sc BsAQ"#2"bB*{k Torn andjbattered iank card,<4till can use it in th" holehin the wall, Bar,lays give them outfor free.
|
| |
 |
cate attmeMObfic` 12 Niko Coopi` 570#" HP ProjecOors 800ANiI, (hotoshxp 7$`aQqas Private onlectil, rs&Uum9;om mi{zt+koacu+; - www.qldtem.hu .nhanced digitLl photography w|th th` ad of ueverl projectors... (more)
|
| |
 |
M}mitprkjnanyqy`dnk jnk 4$a0 01Uu#c iIea An zrg~nic animal fluid from lhe dark depth of the Eea is brUught to light lnd revealed as ood
|
| |
 |
cate}de%( !)-m0 2 Nikon Ckol)i ?700, HP Pkojectors 800AQSI, xhomoshop 7,BCanvas Private collcton( 3söt-" b{sztf&oac;+;,- wg.zsote.hu Enhanced digital photosraphy withvthe aid of seaeral projectors" "late at the oFfic." {s as2ri3s, printed on canvas,150cmh~n dength.
|
| |
 |
Bhld i0 5cbbsrap KOGm{ys Plyic l!atderg~nd mTtal ZRr`nlvr Rixp&e264tom
|
| |
 |
xhwsRrs
|
| |
 |
RrmeWwijh*jtvy
|
| |
 |
fututT" gwdeKIn @
|
| |
 |
` /oKkmoHXx|t!
|
| |
 |
cFB 6df @
|
| |
 |
Qp
|
| |
 |
G{szx/?
|
| |
 |
Tw`qsov3s DdlqavSs Bhlcgi<|!emTutvr -m0WS[k
|
| |
 |
brbKken qsqs qurprdln
|
| |
 |
(mokolpt0iiGg2` y]imdt hutHange( !an%$GEaliwg @
|
| |
 |
@Dd dlfkcldr.nk( coT$Ffzr
|
| |
 |
|
| |
 |
`ho Do YoEUHhiik Ytu A>? 8pr2r ,jn
|
| |
 |
Hh'goand t@`jbutter Tdthush ae0qpmlls `aeMko,l fnmove5kcwg
|
| |
 |
Th rve{yNJessiqa DfIpteiy qdfgce gome2cgfdom guy seanndomy face
|
| |
 |
`$d$ ( ESW2fvk/oat 1rrsr0 Iik VONn @
|
| |
 |
prtue e`d FD~zjJok just a liTtl` something my brothe" put|Oogether....wouldnt have misse$ coming to see his work... (more)
|
| |
 |
Ss jO|toRa8( o pue ldea zfangcDEqsu`an
|
| |
 |
%" qaqa Vvtzr :8YMm-m aaa"df iXPpRrvtion
|
| |
 |
Ffnl A4 paper, lSd" printsr/oEe-, btukocracy AT, network contrgctorUT ELlinGCo.nIil This is a scan of a prin$ of`an email that CRrl Wicks of cCT sfnt to Pitshanger Manor, detailingdthe painful requirements of allowing a Macintosh computervto use the wireless network at PM Gallery and House. UKMO abandoned the idea of using tue wireless network shortly after reading this email. The print out was torn up and put in the bin shortly after i! was scanned.
|
| |
 |
TDHJaxy I`aO_fgex8xpqy |~IYy )l HAae be Wu0 Jipsy... (more)
|
| |
 |
)b"&fone vtCcos#02 andai d%e the /ob!
|
| |
See more detail about this item
Participate in a discussion about this item
Site contents © Copyright 2002-2004 UKMO™ - Terms and conditions apply - All enquiries to enquiries@museum-ordure.org.uk
The UK Museum of Ordure (UKMO™) is not affiliated, associated or in any way endorsed by the UK Meteorological Office.